<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3591104341069206117</id><updated>2011-07-07T17:10:14.260-07:00</updated><category term='hairspray'/><category term='drama'/><category term='animated'/><category term='musical'/><category term='mexican films'/><category term='john travolta'/><category term='review'/><category term='comedy'/><category term='action films'/><category term='festival'/><title type='text'>Days of Cinema</title><subtitle type='html'>My list of films seen in 2008. 
El listado de cintas que he visto en el 2008. 
- Santiago Ulloa</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>27</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-800220842134431368</id><published>2008-09-12T17:17:00.000-07:00</published><updated>2008-09-12T17:18:37.684-07:00</updated><title type='text'>2008, listado de cintas vistas.</title><content type='html'>&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;b&gt;&lt;span lang="ES-MX" style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;; mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;;mso-ansi-language:ES-MX;mso-fareast-language: ES"&gt;2008. Cintas en orden de acuerdo a la fecha en cuales fueron vistas. &lt;/span&gt;&lt;/b&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;; mso-fareast-language:ES"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Cocalero (Alejandro Lanes) 63&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;El Huésped (Joon Ho Bong) 80&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span lang="ES-MX" style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;; mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;;mso-ansi-language:ES-MX;mso-fareast-language: ES"&gt;La casa de Alicia x2 (Chico Texeira) 70&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span lang="ES-MX" style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;; mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;;mso-ansi-language:ES-MX;mso-fareast-language: ES"&gt;El llanto de la mariposa (Julian Schnabel) 68&lt;/span&gt;&lt;span style="mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;;mso-fareast-language: ES"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span lang="ES-MX" style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;; mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;;mso-ansi-language:ES-MX;mso-fareast-language: ES"&gt;El robo del siglo (Roger Donaldson) 82&lt;/span&gt;&lt;span style="mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;;mso-fareast-language: ES"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span lang="ES-MX" style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;; mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;;mso-ansi-language:ES-MX;mso-fareast-language: ES"&gt;Rec (Paco Plaza &amp;amp; Jaime Balaguero) 72&lt;/span&gt;&lt;span style="mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;;mso-fareast-language: ES"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span lang="ES-MX" style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;; mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;;mso-ansi-language:ES-MX;mso-fareast-language: ES"&gt;El caballero de la noche (Christopher Nolan) 78&lt;/span&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;; mso-fareast-language:ES"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span lang="ES-MX" style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;; mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;;mso-ansi-language:ES-MX;mso-fareast-language: ES"&gt;Todos los días son tuyos (José Luis Gutiérrez) 50&lt;/span&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;; mso-fareast-language:ES"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span lang="ES-MX" style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;; mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;;mso-ansi-language:ES-MX;mso-fareast-language: ES"&gt;Amor letra por letra (Luis Eduardo Reyes) 45&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Leonera (Pablo Tapero) 90&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Intimidades de Shakespeare y Víctor Hugo (Yuelene Olaizola) 88&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Perro come perro (Carlos Moreno) 60&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Desierto Adentro (Rodrigo Pla) 73&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Lake Tahoe (Fernando Eimbcke) 86&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;La mujer sin cabeza (Lucrecia Martel) 79&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Los Bastardos (Amat Escalante) 81&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Liverpool (Lisandro Alonso) 68&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Un tigre de papel (Luis Ospina) 79&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Tropa de Elite (José Padilha) 56&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span lang="ES-MX" style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;; mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;;mso-ansi-language:ES-MX;mso-fareast-language: ES"&gt;Wanted (Timur Bekmambetov) 46&lt;/span&gt;&lt;span style="mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;;mso-fareast-language: ES"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span lang="ES-MX" style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;; mso-bidi-font-family:&amp;quot;Times New Roman&amp;quot;;mso-ansi-language:ES-MX;mso-fareast-language: ES"&gt;Pasiones privadas en lugares públicos (Alain Resnals) 79&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Camino a la redención (Terry George) 48&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;La edad de la peseta (Pavel Giroud) 60&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Hellboy II: El ejercito dorado (Guillermo del Toro) 75&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Wall-E (Andrew Stanton) 84&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;El asesinato del presidente (Gabriel Range) 44&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Miradas ocultas (Eric Nichols) 38&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;12:08 al este de Bucarest (Corneliu Porumboui) 90&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Los demonios del edén (Alejandra Islas) 57&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Los Muertos (Lisandro Alonso) 88&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Fantasma (Lisandro Alonso) 56&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;La Libertad (Lisandro Alonso) 76&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Persepolis (Parannoud &amp;amp; Sartrape) 80&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Planet Terror (Robert Rodríguez) 72&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Déficit (Gael García Bernal) 68&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Hulk, el hombre increíble (Louis Leterrier) 37&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Bella (Alejandro González Monteverde) 50&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;El fin de los tiempos (M. Night Shyamalan) 70&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span lang="EN-US" style="mso-ansi-language:EN-US"&gt;Deathproof (Quentin Tarantino) 84&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span lang="EN-US" style="mso-ansi-language:EN-US"&gt;Indiana Jones (Steven Spielberg) 37&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Iron Man (John Fraveau) 58&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;4 meses, 3 semanas y 2 dias (Cristian Pingiu) 85&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Mi historia sin mi (Todd Haynes) 70&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Mas que a nada en el mundo (Leon Becker &amp;amp; Solar) 62&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Camino Salvaje (Sean Penn) 63&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Lejos de ella (Sarah Polley) 64&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span lang="EN-US" style="mso-ansi-language:EN-US"&gt;Noches Purpura (Wong Kar Wai) 61&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Quemar las naves (Francisco Franco) 66&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;El viaje de la Nonna (Sebastián Silva) 70&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Antes que el Diablo sepa que has muerto (Sidney Lumet) 80&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Casi Divas (Issa López) 34&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Los Falsificadores (Stefan Ruzowitsky) 46&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;La misma luna (Patricia Riggen) 50&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Los Inquebrantables (Woody Allen) 80&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;El cielo, la lluvia y la tierra (Jose Luis Torres Leyva) 89&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;Parque Vía (Enrique Rivero) 86&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;La France (Serge Bonzo) 85&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;La Soledad (Jaime Rosales) 80&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span lang="EN-US" style="mso-ansi-language:EN-US"&gt;The man from London (Bela Tarr) 88&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;En la ciudad de Sylvia (José Luis Guerin) 85&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Opera (Juan Patricio Riveroll) 83&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Wadley (Matias Meyer) 76&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;3:19 (Dany Saadia) 62&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;El Garabato (Adolfo Martínez) 55&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Cáliz (Miguel Angel Vega) 30&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;La vida inmune (Ramón Cervantes) 80&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Juno: crecer, correr y tropezar (Jason Reiman) 50&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Los ladrones viejos (Everardo González) 80&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Sweeney Todd (Tim Burton) 70&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Sin lugar para los débiles (Coen Brothers) 68&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Expiación, deseo y pecado (Joe Wright) 55&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Cloverfield (Matt Reeves) 65&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;El Custodio (Rodrigo Moreno) 78&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Gangster Americano (Ridley Scott) 53&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;XXY (Lucia Puenzo) 76&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;El Orfanato (Juan Antonio Bayona) 69&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Soy leyenda (Francis Lawrence) 60&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Viaje a Darjeeling (Wes Anderson) 82&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;En el valle de las sombras (Paul Haggis) 46&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;mso-fareast-language:ES"&gt;Cometas en el cielo (Marc Foster) 48&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-800220842134431368?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/800220842134431368/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=800220842134431368' title='49 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/800220842134431368'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/800220842134431368'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2008/09/2008-listado-de-cintas-vistas.html' title='2008, listado de cintas vistas.'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><thr:total>49</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-7110574492037972023</id><published>2008-01-11T23:30:00.000-08:00</published><updated>2008-12-10T23:12:41.924-08:00</updated><title type='text'>las mejores del 2007</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_flg8jbNmoRg/R4huf_rUSkI/AAAAAAAAADE/IIr_vw5egX8/s1600-h/inland460.jpg"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_flg8jbNmoRg/R4huf_rUSkI/AAAAAAAAADE/IIr_vw5egX8/s400/inland460.jpg" alt="" id="BLOGGER_PHOTO_ID_5154491269473651266" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Top 10 Final&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;ol&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Silent Light&lt;/span&gt; (Carlos Reygadas)&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;INLAND EMPIRE&lt;/span&gt; (David Lynch)&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Letters From Iwo Jima&lt;/span&gt; (Clint Eastwood)&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Black Book&lt;/span&gt; (Paul Verhoeven)&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;The Assassination of Jesse James... &lt;/span&gt;(Andrew Dominik)&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;The Violin&lt;/span&gt; (Francisco Vargas)&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Sicko&lt;/span&gt; (Michael Moore)&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;The Golden Door&lt;/span&gt; (Emanuele Crialesse)&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;The Black Dahlia&lt;/span&gt; (Brian De Palma)&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Sunshine&lt;/span&gt; (Danny Boyle)&lt;br /&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-7110574492037972023?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/7110574492037972023/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=7110574492037972023' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/7110574492037972023'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/7110574492037972023'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2008/01/las-mejores-del-2007.html' title='las mejores del 2007'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_flg8jbNmoRg/R4huf_rUSkI/AAAAAAAAADE/IIr_vw5egX8/s72-c/inland460.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-6617727652870856089</id><published>2007-11-26T23:04:00.000-08:00</published><updated>2008-12-10T23:12:42.317-08:00</updated><title type='text'>Top 10 List November</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_flg8jbNmoRg/R0vCQ43JSSI/AAAAAAAAAC8/xK33VbUWa58/s1600-h/silentnights.jpg"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_flg8jbNmoRg/R0vCQ43JSSI/AAAAAAAAAC8/xK33VbUWa58/s400/silentnights.jpg" alt="" id="BLOGGER_PHOTO_ID_5137413395343558946" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;   &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="" lang="EN-US"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;TOP 10, PERSONAL&lt;/span&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;                      &lt;p class="MsoNormal" style="margin-left: 36pt; text-indent: -18pt;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="" lang="EN-US"&gt;&lt;span style=""&gt;01.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;Stellet Licht&lt;/span&gt; (Carlos Reygadas, 100)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style=""&gt;02.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;st1:place style="font-weight: bold;" st="on"&gt;&lt;span style="" lang="EN-GB"&gt;Inland Empire&lt;/span&gt;&lt;/st1:place&gt;&lt;span style="" lang="EN-GB"&gt; (David Lynch, 90)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style=""&gt;03.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;Meduzot &lt;/span&gt;(Etgar Keret &amp;amp; Shira Geffen, 90)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style=""&gt;04.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt; &lt;span style="font-size:100%;"&gt; &lt;span style="font-weight: bold;"&gt;The V&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;iolin&lt;/span&gt; (Francisco Vargas, 90)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style=""&gt;05.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;The Assassination of Jesse James…&lt;/span&gt; (Andrew Dominik, 85)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style=""&gt;06.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;st1:personname style="font-weight: bold;" productid="La Zona" st="on"&gt;&lt;span style="" lang="EN-GB"&gt;La Zona&lt;/span&gt;&lt;/st1:PersonName&gt;&lt;span style="" lang="EN-GB"&gt; (Rodrigo Pla, 85)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style=""&gt;07.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;st1:personname style="font-weight: bold;" productid="La Influencia" st="on"&gt;&lt;span style="" lang="EN-GB"&gt;La Influencia&lt;/span&gt;&lt;/st1:PersonName&gt;&lt;span style=""&gt; (Pedro Aguilera, 80)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;08.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-weight: bold;"&gt;Paranoid Park &lt;/span&gt;(Gus Van Sant, 80)&lt;br /&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style=""&gt;09.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;Drama/Mex&lt;/span&gt; (Gerardo Naranjo, 80)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style=""&gt;10.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;Letters From &lt;/span&gt;&lt;st1:place style="font-weight: bold;" st="on"&gt;Iwo Jima&lt;/st1:place&gt; (Clint Eastwood, 80)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="EN-GB"&gt;Highlights: Cochochi, Ladrones Viejos, Black Book &amp;amp; The Golden Door&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;/p&gt;&lt;br /&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;TOP 10, COMMERCIAL RELEASES (&lt;/span&gt;&lt;st1:country-region style="font-weight: bold;" st="on"&gt;&lt;st1:place st="on"&gt;MEXICO&lt;/st1:place&gt;&lt;/st1:country-region&gt;&lt;span style="font-weight: bold;"&gt;)&lt;/span&gt;&lt;/span&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;                      &lt;p class="MsoNormal" style="margin-left: 36pt; text-indent: -18pt;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style=""&gt;01.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;Stellet Licht&lt;/span&gt; (Carlos Reygadas, 100)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style=""&gt;02.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;st1:place style="font-weight: bold;" st="on"&gt;&lt;span style="" lang="EN-GB"&gt;Inland Empire&lt;/span&gt;&lt;/st1:place&gt;&lt;span style="" lang="EN-GB"&gt; (David Lynch, 90)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style=""&gt;03.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;The Violin&lt;/span&gt; (Francisco Vargas, 90)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style=""&gt;04.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;The Assassination of Jesse James…&lt;/span&gt; (Andrew Dominik, 85)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style=""&gt;05.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;Drama/Mex&lt;/span&gt; (Gerardo Naranjo, 80)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style=""&gt;06.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;Letters From &lt;/span&gt;&lt;st1:place style="font-weight: bold;" st="on"&gt;Iwo Jima&lt;/st1:place&gt; (Clint Eastwood, 80)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style=""&gt;07.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;Black Book&lt;/span&gt; (Paul Verhoeven, 80)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style=""&gt;08.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style=""&gt;&lt;span style="font-weight: bold;"&gt;The Golden Door&lt;/span&gt; (Emmanuel Crialese, 80)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;09.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-weight: bold;"&gt;El Cielo Dividido&lt;/span&gt; (Julián Hernández, 80)&lt;br /&gt;&lt;span style=""&gt;10.&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-weight: bold;"&gt;El Viaje Hacia El Mar&lt;/span&gt; (Guillermo Casanova, 80) &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-6617727652870856089?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/6617727652870856089/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=6617727652870856089' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/6617727652870856089'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/6617727652870856089'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/11/top-10-list-november.html' title='Top 10 List November'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_flg8jbNmoRg/R0vCQ43JSSI/AAAAAAAAAC8/xK33VbUWa58/s72-c/silentnights.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-6783463025797427539</id><published>2007-11-26T22:43:00.000-08:00</published><updated>2008-12-10T23:12:42.513-08:00</updated><title type='text'>La Muestra and other Films</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_flg8jbNmoRg/R0u-Wo3JSRI/AAAAAAAAAC0/P2zrOLoGRqM/s1600-h/200707LaInfulencia-w300.jpg"&gt;&lt;img style="cursor: pointer;" src="http://1.bp.blogspot.com/_flg8jbNmoRg/R0u-Wo3JSRI/AAAAAAAAAC0/P2zrOLoGRqM/s400/200707LaInfulencia-w300.jpg" alt="" id="BLOGGER_PHOTO_ID_5137409096081295634" border="0" /&gt;&lt;/a&gt;&lt;br /&gt; &lt;/div&gt;&lt;p class="MsoNormal"&gt;&lt;span style="" lang="EN-US"&gt;I know I have been out of my blog for some time, I got a new job as a teacher, and I’m very happy. It consumes most of my time, especially as I have people supervising my first semester teaching and I got to impress. But I’ve been following all the movies that are coming out, and I have spent a lot of time at &lt;st1:personname productid="La Muestra" st="on"&gt;La Muestra&lt;/st1:personname&gt;, the always fantastic showcase the Cineteca Nacional brings us. It’s a one-only opportunity because most of the films playing will wait to wait for months, maybe years for them to get distributed here in Mexico. This year the selection is for the most part amazing.&lt;br /&gt;&lt;br /&gt;Here is a list of some films I’ve see at the Muestra, and also other titles I have cached in their theatrical runs. The best films I’ve seen are by far &lt;st1:personname productid="La Influencia" st="on"&gt;La Influencia&lt;/st1:personname&gt; by Pedro Aguilera, and Paranoid Park by Gus Van Sant. While in commercial releases, two European films standout: The Golden Door &amp;amp; Black Book. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;st1:personname style="font-weight: bold;" productid="La Influencia" st="on"&gt;La  Influencia&lt;/st1:personname&gt; (80) &lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;Paranoid Park&lt;/span&gt; (80) &lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;Black Book&lt;/span&gt; (75) &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;The Golden Door&lt;/span&gt; (75) &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;Quemar Las Naves&lt;/span&gt; (70)&lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;Across The Universe &lt;/span&gt;(66)&lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;A Casa de Alice&lt;/span&gt; (65)&lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;st1:personname style="font-weight: bold;" productid="La Vida En" st="on"&gt;La Vida En&lt;/st1:personname&gt;&lt;span style="font-weight: bold;"&gt; Corto&lt;/span&gt; (65)&lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;Shut Up and Sing&lt;/span&gt; (60) &lt;/p&gt;&lt;div style="text-align: center;"&gt;    &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;Bee Movie&lt;/span&gt; (55) &lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;st1:personname style="font-weight: bold;" productid="La Leyenda" st="on"&gt;La Leyenda&lt;/st1:personname&gt;&lt;span style="font-weight: bold;"&gt; de &lt;/span&gt;&lt;st1:personname style="font-weight: bold;" productid="la Nahuala" st="on"&gt;la Nahuala&lt;/st1:personname&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;(55) &lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;El Cobrador: In God We Trust&lt;/span&gt; (55)&lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;Fraude: México 2006&lt;/span&gt; (50)&lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;Malos Hábitos&lt;/span&gt; (50) &lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;Belle Toujours&lt;/span&gt; (45)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;Beowulf &lt;/span&gt;(40)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;span style="" lang="EN-GB"&gt;&lt;span style="font-weight: bold;"&gt;Propiedad Ajena&lt;/span&gt; (35)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style=";font-family:&amp;quot;;font-size:10;"  lang="EN-GB" &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-6783463025797427539?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/6783463025797427539/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=6783463025797427539' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/6783463025797427539'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/6783463025797427539'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/11/la-muestra-and-other-films.html' title='La Muestra and other Films'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_flg8jbNmoRg/R0u-Wo3JSRI/AAAAAAAAAC0/P2zrOLoGRqM/s72-c/200707LaInfulencia-w300.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-785214046499002464</id><published>2007-10-23T12:40:00.000-07:00</published><updated>2008-12-10T23:12:42.706-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='comedy'/><title type='text'>I Pronounce You Chuck and Larry (45)</title><content type='html'>&lt;p align="center"&gt;&lt;img id="BLOGGER_PHOTO_ID_5124621676512689970" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_flg8jbNmoRg/Rx5QQ2zOPzI/AAAAAAAAACo/kE7Ne2GPGnM/s320/chuckandlarry.jpg" border="0" /&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;strong&gt;I Now Pronounce You Chuck and Larry (2007)&lt;/strong&gt;&lt;/p&gt;&lt;p align="center"&gt;Country: USA&lt;/p&gt;&lt;p align="center"&gt;Director: Dennis Dugan&lt;br /&gt;&lt;br /&gt;Probably the best intentioned film of the year, but it just falls into cliche and even offensive subjects. Adam Sandler, what a character, why does it feel like he has a movie out every month? But he's got charisma and that is shown at the box office. Credibility issues? Believe me, is the number one problem with the film. But let's ignore that, the execution of the film is so poor, the same old jokes, reminded me of the Mexican comedies during de 70s that would just make everyone fall or smash a cake and people would actually embrace that. The most touching aspect of the film is the way they are trying to help one of the kids, who seems to be gay, though it is never confirmed. I really loved how they managed to make those scenes so charming. Production wise, the film is boring, a step back for Sandler, visually... Jessica Beil is hot.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-785214046499002464?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/785214046499002464/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=785214046499002464' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/785214046499002464'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/785214046499002464'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/10/i-pronounce-you-chuck-and-larry-45.html' title='I Pronounce You Chuck and Larry (45)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_flg8jbNmoRg/Rx5QQ2zOPzI/AAAAAAAAACo/kE7Ne2GPGnM/s72-c/chuckandlarry.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-7626955215220801288</id><published>2007-10-23T12:37:00.000-07:00</published><updated>2007-10-23T12:39:52.987-07:00</updated><title type='text'>It Works Now!!!!!!!!!</title><content type='html'>After more than a freaking week trying to post something, I finally did it! it works now, I have no idea what happened to this, so I just try deleting the blog and then something happen and I didn't have to delete it and now I'm very happy. I've seen a couple of movies since I got home from Morelia, will be writing my thoughts on those.&lt;br /&gt;&lt;br /&gt;Thanks for your comments!&lt;br /&gt;&lt;br /&gt;- SANTIAGO ULLOA&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-7626955215220801288?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/7626955215220801288/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=7626955215220801288' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/7626955215220801288'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/7626955215220801288'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/10/it-works-now.html' title='It Works Now!!!!!!!!!'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-661693724191252785</id><published>2007-10-10T21:46:00.000-07:00</published><updated>2008-12-10T23:12:42.824-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='festival'/><title type='text'>Jesse James, Hermafrodite, Brothers and Diego</title><content type='html'>&lt;div align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_flg8jbNmoRg/Rw2uWmzOPyI/AAAAAAAAACg/hRIfM92TCMA/s1600-h/up-assassination_lg.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/_flg8jbNmoRg/Rw2uWmzOPyI/AAAAAAAAACg/hRIfM92TCMA/s400/up-assassination_lg.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5119940054785867554" /&gt;&lt;/a&gt;&lt;br/&gt;&lt;div align="center"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="color:#cc0000;"&gt;&lt;strong&gt;FICM&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;br/&gt;&lt;/div&gt;&lt;br/&gt;Ugh! only 2 more days at the festival... and then, I will have to go back to Mexico City, but hey I'll come back later to visit my family, but I will miss the festival. Once again, sorry for the lack of content, but not having a computer around me is difficult, especially if I'm watching at least 4 films every day. By the way the press pass is nice, but I must confess I like the public viewings much more, it's a different mood, some critics here are so dumb, and just keep talking during the movies!!!!! WTF!!!! &lt;br/&gt; &lt;br/&gt;In the second post I wrote about the festival, I mentioned that somebody had stolen my Gael Garcia Bernal autograph, guess what? I got another one, how lucky am I. This time it went straight into my wallet, it would be impossible for me not to feel a girl searching for it right? Although I've lost my wallet twice in Mexico City... I guess some robbers are magicians or something. Make sure to visit Cine Azteca to see another entry, probably tomorrow since I'll send Carlos my vol. 3 at midnight, but I've seen these films in the last 2 days:&lt;br/&gt;&lt;ul align="left"&gt;&lt;li&gt;The Assassination of Jesse James by the Coward Robert Ford (82)&lt;br/&gt;&lt;/li&gt;&lt;li&gt;Meduzot (87)&lt;br/&gt;&lt;/li&gt;&lt;li&gt;XXY (75)&lt;br/&gt;&lt;/li&gt;&lt;li&gt;The Darjeeling Limited (43)&lt;br/&gt;&lt;/li&gt;&lt;li&gt;A Portrait of Diego (58)&lt;br/&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-661693724191252785?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/661693724191252785/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=661693724191252785' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/661693724191252785'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/661693724191252785'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/10/jesse-james-hermafrodite-brothers-and.html' title='Jesse James, Hermafrodite, Brothers and Diego'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_flg8jbNmoRg/Rw2uWmzOPyI/AAAAAAAAACg/hRIfM92TCMA/s72-c/up-assassination_lg.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-760095921549394163</id><published>2007-10-08T15:11:00.000-07:00</published><updated>2007-10-08T15:24:18.656-07:00</updated><title type='text'>Ladrones Viejos (77), Blue Eyelids (75), Moliere (67)</title><content type='html'>&lt;div align="center"&gt;&lt;span&gt;&lt;span&gt;and even more...&lt;br/&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span&gt;&lt;br/&gt;Ladrones Viejos, Las Leyendas del Artegio&lt;/span&gt;&lt;/strong&gt; (Gonzalez) 77&lt;br/&gt;&lt;span&gt;&lt;strong&gt;Parpados Azules/Blue Eyelids&lt;/strong&gt;&lt;/span&gt; (Contreras) 75&lt;br/&gt;&lt;span&gt;&lt;strong&gt;Moliere&lt;/strong&gt;&lt;/span&gt; (Tirard) 67&lt;br/&gt;&lt;strong&gt;&lt;span&gt;&lt;br/&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span&gt;It's been 3 days of very good films, the clear standout is Reygadas who just seems so distant in quality to his fellow great directors. Yesterday I watched 3 films, the first one was on my list of Most Anticipated, it is called "Ladrones Viejos, Las Leyendas del Artegio", and it doesn't dissapoint. Gonzalez's second feature is so entertaining, this director has style, better than his debut film "Pulque's Song."&lt;br/&gt;&lt;br/&gt;Blue Eyelids has been praised by many people, and it is a very well put together film. I found it  a little over the top in the visual substance. But the story is very funny, and quite intimidating, some people will not feel comfortable siting through such a film, could be viewed as depressing, but it really is a magnetic piece of filmaking, flawed, but is sustained by a great scrip and performances, Contreras is one talented guy nontheless. &lt;/span&gt;&lt;strong&gt;&lt;span&gt;&lt;br/&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br/&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-760095921549394163?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/760095921549394163/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=760095921549394163' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/760095921549394163'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/760095921549394163'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/10/ladrones-viejos-77-blue-eyelids-75.html' title='Ladrones Viejos (77), Blue Eyelids (75), Moliere (67)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-3950414539673411897</id><published>2007-10-07T16:41:00.000-07:00</published><updated>2007-10-07T16:46:13.438-07:00</updated><title type='text'>Morelia First Impressions</title><content type='html'>&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;More on the Festival&lt;/span&gt;&lt;/strong&gt;&lt;br/&gt;&lt;/div&gt;Cine Azteca has my first thoughts on the festival, El Orfanato is still the most popular film in the festival, Del Toro is very popular here. The film has grown badly on me, still a good effort. &lt;br/&gt;&lt;br/&gt;Films: &lt;br/&gt;&lt;ol&gt;&lt;li&gt;Silent Light (97)&lt;br/&gt;&lt;/li&gt;&lt;li&gt;Cochochi (79)&lt;/li&gt;&lt;li&gt;Deficit (70)&lt;/li&gt;&lt;li&gt;The Orphanage (69-70)&lt;/li&gt;&lt;li&gt;Atonement (57)&lt;/li&gt;&lt;li&gt;El Pasado (51)&lt;/li&gt;&lt;/ol&gt;&lt;a href="http://cineazteca.blogspot.com/2007/10/santiago-ulloa-en-morelia.html"&gt;More Here....&lt;/a&gt;&lt;br/&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-3950414539673411897?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/3950414539673411897/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=3950414539673411897' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/3950414539673411897'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/3950414539673411897'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/10/morelia-first-impressions.html' title='Morelia First Impressions'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-5238382601215215361</id><published>2007-10-06T13:03:00.000-07:00</published><updated>2007-10-06T13:07:53.276-07:00</updated><title type='text'>Quick Note</title><content type='html'>&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;"The Orphanage" (75)&lt;/span&gt;&lt;/strong&gt; &lt;/div&gt;&lt;br/&gt;I'll be writing more thoughts on &lt;a href="http://cineazteca.blogspot.com"&gt;Cine Azteca&lt;/a&gt; probably tomorrow along with about another 4 films I plan to watch, it is kind of difficult for me since I don't have a labtop, so I actually writing from home.&lt;br/&gt; &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-5238382601215215361?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/5238382601215215361/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=5238382601215215361' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/5238382601215215361'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/5238382601215215361'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/10/quick-note.html' title='Quick Note'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-1146202554527146327</id><published>2007-10-04T11:43:00.001-07:00</published><updated>2008-12-10T23:12:43.036-08:00</updated><title type='text'>Morelia 2007</title><content type='html'>&lt;p align="center"&gt;&lt;a href="http://4.bp.blogspot.com/_flg8jbNmoRg/RwU7LmzOPxI/AAAAAAAAACY/g9xMKtHGYB0/s1600-h/TopMedios.gif"&gt;&lt;img id="BLOGGER_PHOTO_ID_5117561622156427026" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_flg8jbNmoRg/RwU7LmzOPxI/AAAAAAAAACY/g9xMKtHGYB0/s400/TopMedios.gif" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;The 5th Morelia Film Festival starts tomorrow, I've been going to the festival since its first edition and I have seen the transformation of the third most important festival in the country, just after Guadalajara and FICCO. I currentely live in Mexico City, but I was actually born in the beautiful capital of the Mexican state Michoacan. Even though the list of films is HUGE, it is always impossible to see more than 20 films. Last year I was able to catch 15 films, from those I considered 4 films as 'outstanding': "Broken Sky", "The Road to Guatanamo", "Volver" and "News From Afar."&lt;br /&gt;&lt;br /&gt;Last year I was able to touch Guillermo Del Toro, I know that sounds so minimal, but hey he is a great director, or at least when he's not directing Hollywood films. The competition is divided in 4 sections, all awarding Mexican productios: Best Mexican Short, Best Short from Michoacan, Best Documentary and for the first time Best Mexican Feature. The films in competition I'm mostly looking forward are the Toronto winners "Cochochi" and "La Zona", hopefully I'll be able to catch both of them.&lt;br /&gt;&lt;br /&gt;The 'premiere' screenings will bring better selections, many titles from Cannes and Venice. I will be writing my thoughts in this blog, but I was delighted to get an invitation from Carlos Reyes, from the excellent blog &lt;a href="http://cineazteca.blogspot.com/"&gt;Cine Azteca&lt;/a&gt;. I know about 2 people visit my blog and colaborating at his blog will hopefully bring more visitors to my blog, not to mention that he 'hooked' me up with the fest and I got special privaleges, more movies!&lt;br /&gt;&lt;br /&gt;These is the list of films I'm looking forward the most:&lt;br /&gt;&lt;ol&gt;&lt;li&gt;My Blueberry Nights (Wong Kar Wai)&lt;/li&gt;&lt;li&gt;La Zona (Rodrigo Pla)&lt;/li&gt;&lt;li&gt;Cochochi (Israel Cardenas y Laura Guzman)&lt;/li&gt;&lt;li&gt;Ser Isla (Eun-Hee Ihm) &lt;span style="font-size:78%;"&gt;(seen it, but supposely there is an 'extended' version?)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;Ladrones Viejos, Las Leyendas del Artegio (Everardo Gonzalez) &lt;/li&gt;&lt;li&gt;Voleurs de Chevaux (Micha Wald)&lt;/li&gt;&lt;li&gt;El Pasado (Hector Babenco)&lt;/li&gt;&lt;li&gt;The Darjeeling Limited (Wes Anderson)&lt;/li&gt;&lt;li&gt;Luz Silenciosa (Carlos Reygadas)&lt;/li&gt;&lt;li&gt;Moliere (Laurent Tirad)&lt;/li&gt;&lt;/ol&gt;&lt;p&gt;others: "Paranoid Park" (Van Sant), "Bug" (Friednick), "Year of the Nail" (Cuaron) and "A Portrait of Diego" (Figueroa &amp;amp; Lopez)&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-1146202554527146327?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/1146202554527146327/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=1146202554527146327' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/1146202554527146327'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/1146202554527146327'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/10/morelia-2007.html' title='Morelia 2007'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_flg8jbNmoRg/RwU7LmzOPxI/AAAAAAAAACY/g9xMKtHGYB0/s72-c/TopMedios.gif' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-7878452841978836990</id><published>2007-10-04T08:03:00.000-07:00</published><updated>2008-12-10T23:12:43.169-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='animated'/><title type='text'>The Simpsons Movie (45)</title><content type='html'>&lt;p align="center"&gt;&lt;a href="http://3.bp.blogspot.com/_flg8jbNmoRg/RwUEGWzOPwI/AAAAAAAAACQ/QoXu9KxCy84/s1600-h/simpsons.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5117501058822586114" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_flg8jbNmoRg/RwUEGWzOPwI/AAAAAAAAACQ/QoXu9KxCy84/s320/simpsons.jpg" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;div align="center"&gt;&lt;strong&gt;The Simpsons Movie (2007)&lt;/strong&gt;&lt;br /&gt;Country: USA&lt;/div&gt;&lt;div align="center"&gt;Director: David Silverman&lt;br /&gt;&lt;/div&gt;18 years in the making, and The Simpsons movie dissapoints like no other film this year. Is not as bad as I'm making it to be, but it is a very empty film, few laughs but overall very noisy. It's great to see they didn't ruin the visuals by making the cartoon 3-dimensional. I have seen both versions, with English audio and Spanish audio, the latino track is by far the most effective, the people behind this really took courage in changing a couple of things and relating it to our culture. Something impressing since The Simpsons are the 'idea' most people have of an American Family. For me, this is the best T.V. show ever, and after watching the film I felt that it was just another episoide but extended. It tries too hard to look profound, it goes from questioning religion and faith and even touches the current environmental problems lol. I guess I miss the lighter touch of the series, meant only to entertain or at least give a message in a pure and naturalistic way. I would suggest you to go watch the SOUTH PARK movie, that one is actually terrific!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-7878452841978836990?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/7878452841978836990/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=7878452841978836990' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/7878452841978836990'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/7878452841978836990'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/10/simpsons-movie-45.html' title='The Simpsons Movie (45)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_flg8jbNmoRg/RwUEGWzOPwI/AAAAAAAAACQ/QoXu9KxCy84/s72-c/simpsons.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-4669132656277813384</id><published>2007-09-29T17:40:00.000-07:00</published><updated>2008-12-10T23:12:43.798-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mexican films'/><title type='text'>La Santa Muerte (25)</title><content type='html'>&lt;div align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_flg8jbNmoRg/Rv70hmzOPvI/AAAAAAAAACI/zImhIKUHaEg/s1600-h/nenasanta.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/_flg8jbNmoRg/Rv70hmzOPvI/AAAAAAAAACI/zImhIKUHaEg/s400/nenasanta.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5115795084927713010" /&gt;&lt;/a&gt;&lt;br/&gt;&lt;div align="center"&gt;&lt;br/&gt;&lt;strong&gt;La Santa Muerte (2007)&lt;/strong&gt;&lt;br/&gt;Country: Mexico&lt;br/&gt;Director: Paco del Toro&lt;br/&gt;&lt;/div&gt;&lt;br/&gt;&lt;div align="left"&gt;I can't believe we're making films so empty and pretentious. In my last review I highlighted the 'fresh' factor of Begne's "Dos Abrazos" (Two Love Stories), a film that did not follow the tradition implied by Guillermo Arriaga of interconnecting stories. Well guess what? Paco Del Toro seems to have noticed that too. In La Santa Muerte, his third and worst film yet, he tells three stories in which the characters' faith is placed on a particular Mexican saint, the saint death. Del Toro really knows how to manipulate not only its actors, but also its distributors. I understand why Niñas Mal and Kilometro 31 get hundreds of copies into theatres, but how can this film possibly get almost 300 theatres? It is an ugly film; it tries to be depressing and gives sermon after sermon, something very typical with this director. I would love to be given the opportunity of making this idea into a fiction film; I think it is such an interesting character. As I was looking around me, I noticed that the theatre was almost full (ugh), and I was shocked to see that some people were even shocked and emotional. I seriously don't get this director, and it is not because of his religious beliefs (my parents are both Christian), is just that he is the kind of storyteller that starts digging and digging until he gets to the areas of discrimination and stupidity. &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-4669132656277813384?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/4669132656277813384/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=4669132656277813384' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/4669132656277813384'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/4669132656277813384'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/la-santa-muerte-25.html' title='La Santa Muerte (25)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_flg8jbNmoRg/Rv70hmzOPvI/AAAAAAAAACI/zImhIKUHaEg/s72-c/nenasanta.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-443711036128240541</id><published>2007-09-26T16:15:00.000-07:00</published><updated>2008-12-10T23:12:43.989-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mexican films'/><title type='text'>Dos Abrazos (75)</title><content type='html'>&lt;div align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_flg8jbNmoRg/RvrtKGzOPuI/AAAAAAAAACA/N6qqXg80vhk/s1600-h/dos.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/_flg8jbNmoRg/RvrtKGzOPuI/AAAAAAAAACA/N6qqXg80vhk/s320/dos.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5114661084712550114" /&gt;&lt;/a&gt;&lt;br/&gt;&lt;div align="center"&gt;&lt;strong&gt;Dos Abrazos (2007)&lt;/strong&gt;&lt;br/&gt;Country: Mexico&lt;br/&gt;Director: Enrique Begne&lt;br/&gt;&lt;/div&gt;&lt;br/&gt;&lt;div align="left"&gt;A tender and sweet effort by breakthrough director Enrique Begne. Graduated from CCC (Mexico's best film school), he is a very promising helmer. Even though the film is not innovative at all and we get the feeling we've been there already, it is refreshing to see an ensemble piece is so carefully crafted that it never falls into mediocre interlocking stories, something so typical by Mexican filmmakers nowadays. The film consists of 2 pieces, and they are not related at all physically, only spiritually. Techs are fine, the music is probably the highlight of the film, performances wise goes from good (Maya Zapata, Giovanni Florido) to great (Ximena Sarinana) to exemplary (Jorge Zarate). The film won best first feature at the Tribeca Film Festival this year.&lt;br/&gt;&lt;/div&gt;&lt;br/&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-443711036128240541?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/443711036128240541/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=443711036128240541' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/443711036128240541'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/443711036128240541'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/dos-abrazos-75.html' title='Dos Abrazos (75)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_flg8jbNmoRg/RvrtKGzOPuI/AAAAAAAAACA/N6qqXg80vhk/s72-c/dos.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-3617904371659841282</id><published>2007-09-26T15:56:00.000-07:00</published><updated>2008-12-10T23:12:44.162-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='action films'/><title type='text'>Resident Evil: Extinction (65)</title><content type='html'>&lt;div align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_flg8jbNmoRg/RvrnxmzOPtI/AAAAAAAAAB4/shLoVNVlwew/s1600-h/residentevil.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/_flg8jbNmoRg/RvrnxmzOPtI/AAAAAAAAAB4/shLoVNVlwew/s320/residentevil.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5114655166247616210" /&gt;&lt;/a&gt;&lt;br/&gt;&lt;div align="center"&gt;&lt;strong&gt;Resident Evil:Extinction (2007)&lt;/strong&gt;&lt;br/&gt;Director: Russell Mulcahy&lt;br/&gt;Country: United States&lt;br/&gt;&lt;/div&gt;&lt;br/&gt;&lt;div align="left"&gt;Just a few days ago I was criticizing the film 300 for its video game visuals and content. Now it is time to review an actual video game converted into a successful movie franchise. While I was not a big fan of the first two films, there's always something about a woman kicking ass. Furthermore, how dare anyone ignore a film about a tremendously hot chick killing zombies. The result is an empty emotional script but a very stylish film that is as bloody as 300, and a lot more entertaining. Sound mixing and visual effects are taken to such an extreme that I would consider them breathtaking; production design by Eugenio Caballero is raw and marvellous.&lt;/div&gt;&lt;br/&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-3617904371659841282?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/3617904371659841282/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=3617904371659841282' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/3617904371659841282'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/3617904371659841282'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/resident-evil-extinction-65.html' title='Resident Evil: Extinction (65)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_flg8jbNmoRg/RvrnxmzOPtI/AAAAAAAAAB4/shLoVNVlwew/s72-c/residentevil.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-5248240582213590006</id><published>2007-09-21T23:00:00.000-07:00</published><updated>2008-12-10T23:12:44.321-08:00</updated><title type='text'>Top 10 so far</title><content type='html'>&lt;div align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_flg8jbNmoRg/RvS0UGzOPsI/AAAAAAAAABw/N418-GGkgY8/s1600-h/empire.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/_flg8jbNmoRg/RvS0UGzOPsI/AAAAAAAAABw/N418-GGkgY8/s320/empire.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5112909734488194754" /&gt;&lt;/a&gt;&lt;br/&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;br/&gt;Best Films of the year so far&lt;br/&gt;&lt;/strong&gt;It's hard to watch films in Mexico, distributors are determined to make us wait as many years as possible.&lt;br/&gt;Four Mexican films in my top 10? WTF! that's got to be&lt;br/&gt;a first.  &lt;br/&gt;&lt;/div&gt;&lt;br/&gt;&lt;div align="justify"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;1. Inland Empire&lt;/strong&gt; (2006, Lynch)&lt;br/&gt;&lt;strong&gt;2. El Violin&lt;/strong&gt; (2005, Vargas)&lt;br/&gt;&lt;strong&gt;3. Drama/Mex&lt;/strong&gt; (2006, Naranjo)&lt;br/&gt;&lt;strong&gt;4. Letters From Iwo Jima&lt;/strong&gt; (2006, Eastwood)&lt;br/&gt;&lt;strong&gt;5. Broken Sky &lt;/strong&gt;(2006, Hernandez)&lt;br/&gt;&lt;strong&gt;6. Madeinusa&lt;/strong&gt; (2006, Lloza)&lt;br/&gt;&lt;strong&gt;7. Halloween&lt;/strong&gt; (2007, Zombie)&lt;br/&gt;&lt;strong&gt;8. Never on a Sunday &lt;/strong&gt;(2007, Gruener) &lt;br/&gt;&lt;strong&gt;9. Sunshine&lt;/strong&gt; (2007, Boyle)&lt;br/&gt;&lt;strong&gt;10. Notes on a Scandal&lt;/strong&gt; (Reyre)&lt;/span&gt;&lt;br/&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-5248240582213590006?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/5248240582213590006/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=5248240582213590006' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/5248240582213590006'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/5248240582213590006'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/top-10-so-far.html' title='Top 10 so far'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_flg8jbNmoRg/RvS0UGzOPsI/AAAAAAAAABw/N418-GGkgY8/s72-c/empire.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-7114960813163297701</id><published>2007-09-17T08:41:00.000-07:00</published><updated>2008-12-10T23:12:44.462-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='action films'/><title type='text'>300 (45)</title><content type='html'>&lt;p align="center"&gt;&lt;a href="http://3.bp.blogspot.com/_flg8jbNmoRg/Ru6jIhTQ0xI/AAAAAAAAABo/fQXmpvJrzs4/s1600-h/300.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5111201993885537042" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_flg8jbNmoRg/Ru6jIhTQ0xI/AAAAAAAAABo/fQXmpvJrzs4/s320/300.jpg" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;div align="center"&gt;&lt;strong&gt;300 (2007)&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;Country: United States&lt;/div&gt;&lt;div align="center"&gt;Director: Zack Snyder&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Style over substance. At first thought, it was a beautifully looking film, a stunning cinematography and out-of-this-world techs. I gotta say though, it was a bit intimidating watching all those bodies full of muscles. The problem with the film is it's obsessive intention of entertaining visually and not taking the responsability of recreating a beautiful epic story. We're not given much time to care about the characters, Snyder slightly introduces them and immediately tries to hide all the plotholes through bloody battles. The story is simply too shallow to entertain, unless you love video games, because to me, this was just a videogame. Unfortunately, we're not given the chance to touch the control. Most of the performances were over the top, except maybe for the lead actor, who I must admit was very funny, but sometimes unintentionally funny.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-7114960813163297701?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/7114960813163297701/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=7114960813163297701' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/7114960813163297701'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/7114960813163297701'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/300-45.html' title='300 (45)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_flg8jbNmoRg/Ru6jIhTQ0xI/AAAAAAAAABo/fQXmpvJrzs4/s72-c/300.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-2084567258166064868</id><published>2007-09-10T18:18:00.000-07:00</published><updated>2008-12-10T23:12:44.802-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mexican films'/><title type='text'>Broken Sky (80)</title><content type='html'>&lt;div align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_flg8jbNmoRg/RuXyZZQXjRI/AAAAAAAAABg/B9W3T_Vx5X0/s1600-h/cielo%2Bdividido.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/_flg8jbNmoRg/RuXyZZQXjRI/AAAAAAAAABg/B9W3T_Vx5X0/s320/cielo%2Bdividido.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5108755870411885842" /&gt;&lt;/a&gt;&lt;br/&gt;&lt;div align="center"&gt;&lt;strong&gt;Broken Sky (2006)&lt;/strong&gt;&lt;br/&gt;&lt;/div&gt;&lt;div align="center"&gt;Country: Mexico&lt;br/&gt;Director: Julian Hernandez&lt;br/&gt;&lt;/div&gt;&lt;br/&gt;&lt;div align="left"&gt;An affecting minimalist film, almost silent. I wasn't impressed with his debut film as everyone seemed to be, I found it pretentious and manipulative. My expectations for this film were very low, but I decided to give it a chance since it was playing at the Morelia film festival. Immediately Hernandez introduces his audience to his own personal world. One that is full of provocative thoughts, and most importantly Hernandez reflects that awful reality of loneliness. There is that deep fight between the three characters and the music is perfectly presented to us. At moments Broken Sky seems to be a very long ballad. As great as the film was, it was too long. I would've cut at least 20 minutes of the film. Techs are near perfect, except for the rude editing. The cinematography and music are the standouts of the film, performances are fine.   &lt;br/&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-2084567258166064868?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/2084567258166064868/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=2084567258166064868' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/2084567258166064868'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/2084567258166064868'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/broken-sky.html' title='Broken Sky (80)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_flg8jbNmoRg/RuXyZZQXjRI/AAAAAAAAABg/B9W3T_Vx5X0/s72-c/cielo%2Bdividido.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-1105826574841646793</id><published>2007-09-08T21:28:00.000-07:00</published><updated>2008-12-10T23:12:44.935-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='drama'/><title type='text'>Alatriste (20)</title><content type='html'>&lt;div align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_flg8jbNmoRg/RuN6IJmuVfI/AAAAAAAAABY/O8wS1bm7Au8/s1600-h/alatriste.jpg"&gt;&lt;img src="http://4.bp.blogspot.com/_flg8jbNmoRg/RuN6IJmuVfI/AAAAAAAAABY/O8wS1bm7Au8/s320/alatriste.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5108060682804155890" /&gt;&lt;/a&gt;&lt;br/&gt;&lt;strong&gt;Alatriste (2006)&lt;/strong&gt;&lt;br/&gt;Country: Spain&lt;br/&gt;Director: Agustin Diaz Yañez&lt;br/&gt;&lt;br/&gt;&lt;div align="left"&gt;First, excuse me for the language, but how do fuck did this film got nominated for so many Goyas (Spain's oscars),&lt;i&gt; Azuloscurocasinegro&lt;/i&gt; was a very fine film that has a lot more heart and fun in it. I like Viggo Mortensen, I really loved his darkish performance in Cronenberg's &lt;i&gt;A History of Violence&lt;/i&gt;, and yes, his spanish is great since he was raised in Argentina. He is fine in Alatriste, but his accent is way too tick, that's also fine, what bothered me is that he tried way to hard to hide it, to the point that he had to whisper words, making it harder to understand for latinos. Production design is good, and the costumes are great as well. The screenplay was... does Alatriste have a screenplay? or was it so bad that my brain just decided to ignore it? Alatriste is a huge failure, it never really accomplishes its goals. At moments it tried too hard to be historic and present an era of Spain. Dissapointing as this is probably the most expensive spanish-language film ever made? And what´s up with it having every single spanish actor there is.&lt;br/&gt;&lt;br/&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-1105826574841646793?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/1105826574841646793/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=1105826574841646793' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/1105826574841646793'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/1105826574841646793'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/alatriste-20.html' title='Alatriste (20)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_flg8jbNmoRg/RuN6IJmuVfI/AAAAAAAAABY/O8wS1bm7Au8/s72-c/alatriste.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-5236467697665649541</id><published>2007-09-06T12:35:00.001-07:00</published><updated>2008-12-10T23:12:45.286-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='action films'/><title type='text'>The Bourne Ultimatum (70)</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_flg8jbNmoRg/RuBV8ZmuVeI/AAAAAAAAABQ/R8kfHqJgM5g/s1600-h/bourne+ultimatum.jpg"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_flg8jbNmoRg/RuBV8ZmuVeI/AAAAAAAAABQ/R8kfHqJgM5g/s320/bourne+ultimatum.jpg" alt="" id="BLOGGER_PHOTO_ID_5107176473591961058" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;The Bourne Ultimatum (2007)&lt;/span&gt;&lt;br /&gt;Country: United States&lt;br /&gt;Director: Paul Greengrass&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;A stimulating thriller that will satisfy any fanboy of action flicks. I found this film to be as powerful in content as Scorsese's &lt;span style="font-style: italic;"&gt;The Departed&lt;/span&gt;. You're probably wondering, why the low grade?, It is simple, is there any reason why Paul Greengrass is making us suffer with that hideous and horrible looking hand-camera work? Seriously, I'm not against these type of cinematography, but Greengrass uses it so excessively I got a headche. I began to wonder if Greengrass has the creativy to innovate, I mean, I know his trying to do so. All of his films look the same, not only the camera work, but also the editing and sound mixing. Matt Damon, he's an interesting actor, and shines on screen when doing action films, but I've always had a problem watching him. He never transmits anything through his eyes. At the end, The Bourne Ultimatum is successful, but also exhausting. I thought this was better than his oscar-nominated film &lt;span style="font-style: italic;"&gt;United 93&lt;/span&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-5236467697665649541?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/5236467697665649541/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=5236467697665649541' title='4 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/5236467697665649541'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/5236467697665649541'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/bourne-ultimatum-70.html' title='The Bourne Ultimatum (70)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_flg8jbNmoRg/RuBV8ZmuVeI/AAAAAAAAABQ/R8kfHqJgM5g/s72-c/bourne+ultimatum.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-543981857795653402</id><published>2007-09-05T19:43:00.000-07:00</published><updated>2008-12-10T23:12:45.583-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mexican films'/><category scheme='http://www.blogger.com/atom/ns#' term='review'/><title type='text'>The Night Buffalo (45)</title><content type='html'>&lt;div align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_flg8jbNmoRg/Rt9rzpmuVdI/AAAAAAAAABI/X1OdIMhnFak/s1600-h/THE+NIGHT+BUFFALO.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/_flg8jbNmoRg/Rt9rzpmuVdI/AAAAAAAAABI/X1OdIMhnFak/s320/THE+NIGHT+BUFFALO.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5106919037547206098" /&gt;&lt;/a&gt;&lt;br/&gt;&lt;strong&gt;The Night Buffalo (2006)&lt;/strong&gt;&lt;br/&gt;Country: Mexico&lt;br/&gt;Director: Jorge Hernandez Aldana&lt;br/&gt;&lt;br/&gt;&lt;div align="left"&gt;Guillermo Arriaga, an okay novel writer that sensacionalizes everything he can touch. His idea of making films is not very far from what he does as a writer. The raves of his earlier work in both books and film, have contributed to his mega ego. He showed some talent in Amores Perros and 21 Grams, but still, his screenplays weren't necessarily good. Later, he ruined The Three Burials of Melquiades Estrada, and was the weakest element to hideous Babel. Now, he gives a new director the chance of directing one of his most acclaimed novels. The result becomes an ugly-looking mess, where the only thing worthy is the beauty of Liz Guillardo, and the beautiful score by The Mars Volta,which in my opinion is one of the scores in recent mexican movies. Performances are irregular, but they did what they could, the screenplay and directing didn't do much to help them.&lt;br/&gt;&lt;/div&gt; &lt;br/&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-543981857795653402?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/543981857795653402/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=543981857795653402' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/543981857795653402'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/543981857795653402'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/night-buffalo-45.html' title='The Night Buffalo (45)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_flg8jbNmoRg/Rt9rzpmuVdI/AAAAAAAAABI/X1OdIMhnFak/s72-c/THE+NIGHT+BUFFALO.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-3749755947648954104</id><published>2007-09-04T15:55:00.000-07:00</published><updated>2008-12-10T23:12:45.691-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='review'/><category scheme='http://www.blogger.com/atom/ns#' term='drama'/><title type='text'>Sunshine (75)</title><content type='html'>&lt;div align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_flg8jbNmoRg/Rt3laJmuVcI/AAAAAAAAABA/VPuL2IN3ARA/s1600-h/SUNSHINE.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/_flg8jbNmoRg/Rt3laJmuVcI/AAAAAAAAABA/VPuL2IN3ARA/s320/SUNSHINE.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5106489789925709250" /&gt;&lt;/a&gt;&lt;br/&gt;&lt;strong&gt;Sunshine (2007)&lt;/strong&gt;&lt;br/&gt;Country: England&lt;br/&gt;Director: Danny Boyle&lt;br/&gt;&lt;br/&gt;&lt;div align="left"&gt;An interesting and visually striking feature by visionary Boyle, who brought us one of the best horror movies of the decade, "28 Days Later." Once again, he collaborates with Cilian Murphy, probably one of the best young actors these days. The pic is fire, but in moments falls in absurdity and credibility issues. Yes, it is a science fiction film, but the screenplay obsessively puts obstacles in its characters, it looses potential because we don't really care about the characters, even knowing that they are supposely saving our lives. Boyle is a tech director, and the cinematography and red pallete are more than outstanding here.  &lt;br/&gt;&lt;/div&gt;&lt;br/&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-3749755947648954104?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/3749755947648954104/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=3749755947648954104' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/3749755947648954104'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/3749755947648954104'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/sunshine-75.html' title='Sunshine (75)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_flg8jbNmoRg/Rt3laJmuVcI/AAAAAAAAABA/VPuL2IN3ARA/s72-c/SUNSHINE.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-4375561003606113977</id><published>2007-09-03T11:28:00.000-07:00</published><updated>2008-12-10T23:12:45.870-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='review'/><category scheme='http://www.blogger.com/atom/ns#' term='drama'/><title type='text'>Bobby (25)</title><content type='html'>&lt;div align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_flg8jbNmoRg/RtxVcZmuVbI/AAAAAAAAAA4/h56koedAxEA/s1600-h/bobby.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/_flg8jbNmoRg/RtxVcZmuVbI/AAAAAAAAAA4/h56koedAxEA/s320/bobby.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5106050023929304498" /&gt;&lt;/a&gt;&lt;br/&gt;&lt;strong&gt;Bobby (2006)&lt;/strong&gt;&lt;br/&gt;Country: United States&lt;br/&gt;Director: Emilio Estevez&lt;br/&gt;&lt;br/&gt;&lt;div align="left"&gt;Some critics for some reason compared Bobby to Babel last year. And even though I find both of them very superficial and mediocre, at least Babel had amazing performances like Rinko Kikuchi and Adriana Barraza, a  career-best work from Rodrigo Prieto, and splendid sound mixing. Bobby is not only melodramatic, it had a fantastic cast and seems like Emilio Estevez did everything he could to make&lt;br/&gt;them bad actors. Besides, from the dozens of actors, I would highlight Freddi Rodriguez and Sharon Stone. It really is a shame that the movie didn't work, I was drooling to see it despite knowing how it was received in the U.S. Some other highlights of the film were the costume design&lt;br/&gt;and perhaps Lindsay Lohan?, yeah, I finally saw a different side of her acting, which isn't bad at all.&lt;br/&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-4375561003606113977?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/4375561003606113977/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=4375561003606113977' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/4375561003606113977'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/4375561003606113977'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/bobby-25.html' title='Bobby (25)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_flg8jbNmoRg/RtxVcZmuVbI/AAAAAAAAAA4/h56koedAxEA/s72-c/bobby.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-5376077805618518198</id><published>2007-09-03T11:09:00.000-07:00</published><updated>2008-12-10T23:12:46.021-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='comedy'/><category scheme='http://www.blogger.com/atom/ns#' term='review'/><title type='text'>Mr. Bean's Holiday (45)</title><content type='html'>&lt;div align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_flg8jbNmoRg/RtxRQZmuVaI/AAAAAAAAAAw/F25weo4R3uE/s1600-h/bean.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/_flg8jbNmoRg/RtxRQZmuVaI/AAAAAAAAAAw/F25weo4R3uE/s320/bean.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5106045419724363170" /&gt;&lt;/a&gt;&lt;br/&gt;&lt;strong&gt;Mr. Bean's Holiday (2007)&lt;/strong&gt;&lt;br/&gt;Country: England &lt;br/&gt;Director: Steve Bendelack&lt;br/&gt;&lt;br/&gt;&lt;div align="left"&gt;First, I must confess I've never liked this character, I find him so irritant and so over the top. I decided to give this film a chance since some of my friends for some reason actually thought the film was smart? And, it really isn't Mr. Bean isn't smart, but that has never really been a problem with my dislike of the series. This movie is nothing but the same typical comedy intended to get descent amount of box office. I should say though, it really has a colorful and striking cinematography. And the music is also very well put together. At the end the film is flawed in every single way, the performances become as dull as it can get. The final scene is a disaster.&lt;br/&gt; Was the director trying to to make a homage to "The 8th Hour" ? &lt;br/&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-5376077805618518198?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/5376077805618518198/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=5376077805618518198' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/5376077805618518198'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/5376077805618518198'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/mr-beans-holiday-45.html' title='Mr. Bean&apos;s Holiday (45)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_flg8jbNmoRg/RtxRQZmuVaI/AAAAAAAAAAw/F25weo4R3uE/s72-c/bean.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-2264242681331373785</id><published>2007-09-01T13:45:00.000-07:00</published><updated>2008-12-10T23:12:46.292-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mexican films'/><title type='text'>The Violin (90)</title><content type='html'>&lt;div align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_flg8jbNmoRg/RtnS9ZmuVZI/AAAAAAAAAAo/xigfTS5YCu4/s1600-h/el+violin.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/_flg8jbNmoRg/RtnS9ZmuVZI/AAAAAAAAAAo/xigfTS5YCu4/s320/el+violin.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5105343604888327570" /&gt;&lt;/a&gt;&lt;br/&gt;&lt;strong&gt;The Violin (2006)&lt;/strong&gt;&lt;br/&gt;Country: Mexico&lt;br/&gt;Director: Francisco Vargas&lt;br/&gt;&lt;br/&gt;&lt;div align="left"&gt; As I was organizing my list of the film I've seen so far this year, I started to choose the film I would love to write about. And no other film came to my mind, but "The Violin." A beautifully lensed pic that has been the most awarded Mexican feature since Amores Perros. At first, I was reluctant to see it, I have declared myself anti-mexican movie goer. A very arrogant action from my part, but in those moments the film industry of my country was depressing, mediocre, there was no light at all. People started talking about Babel,  and I hate it, later on came Pan's Labyrinth, and I loved it, I came to the conclusion that maybe Mexico does in fact produce quality films, but where should I look for them. Later on, people starting talking about this film, about the actor, everyone raved it, but I wasn't excited about it, the plot seemed so minimal. When I walked out of the theatre I finally knew what all the fuss was about, it truly is one of the best contemporary films from Latin America. It is so gentle and sublime, I seriously doubt any other Mexican film will be able to capture so much beauty and reality than what Francisco Vargas has accomplished. Angel Tavira is brilliant, an iconic performance for the ages. The best film I've seen so far, wait, not really, Inland Empire is the best film of the year, no doubt about it, in fact, it Lynch's film is probably one of the best films in years.&lt;br/&gt;&lt;/div&gt;&lt;br/&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-2264242681331373785?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/2264242681331373785/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=2264242681331373785' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/2264242681331373785'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/2264242681331373785'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/violin-85.html' title='The Violin (90)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_flg8jbNmoRg/RtnS9ZmuVZI/AAAAAAAAAAo/xigfTS5YCu4/s72-c/el+violin.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-9190963984182936891</id><published>2007-09-01T11:43:00.000-07:00</published><updated>2008-12-10T23:12:46.488-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='comedy'/><title type='text'>Knocked Up (65)</title><content type='html'>&lt;div align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_flg8jbNmoRg/RtmzQ5muVYI/AAAAAAAAAAg/Z_FXy8qx_Ug/s1600-h/knocked+up.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/_flg8jbNmoRg/RtmzQ5muVYI/AAAAAAAAAAg/Z_FXy8qx_Ug/s320/knocked+up.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5105308755523687810" /&gt;&lt;/a&gt;&lt;br/&gt;&lt;div align="center"&gt;&lt;strong&gt;Knocked Up (2007)&lt;/strong&gt;&lt;br/&gt;Country: USA&lt;br/&gt;Director: Judd Apatow&lt;br/&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;br/&gt;I had been waiting for a this kind of comedy all year long, and even though I find it very irregular, it is the first comedy that I have liked this year. I was begining to think I was in somekind of depression, and turns out that I just had to wait for a film that was smart and touching, oh and yeah, funny. The editing of the film was horrible, but the performances and the screenplay do more than justice. This is the kind of comedy Hollywood should continue doing. The film tries too hard to embrace so many things abroad, and at the end it begins to weight a lot, that's probably the biggest problem of the film. But hey, it still is the best comedy of the year so far, I just have to say that it is very hard for a film to make me laugh, well, I laughed a lot this year watching the mexican film Cuando Las Cosas Suceden (When Things Happen), truly the worst film of the year, in a surprisingly descent year for Mexican cinema.  &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-9190963984182936891?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/9190963984182936891/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=9190963984182936891' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/9190963984182936891'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/9190963984182936891'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/knocked-up-65.html' title='Knocked Up (65)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_flg8jbNmoRg/RtmzQ5muVYI/AAAAAAAAAAg/Z_FXy8qx_Ug/s72-c/knocked+up.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3591104341069206117.post-1734547069168438287</id><published>2007-09-01T10:33:00.000-07:00</published><updated>2008-12-10T23:12:46.785-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='musical'/><category scheme='http://www.blogger.com/atom/ns#' term='john travolta'/><category scheme='http://www.blogger.com/atom/ns#' term='hairspray'/><category scheme='http://www.blogger.com/atom/ns#' term='review'/><title type='text'>Hairspray (60)</title><content type='html'>&lt;div align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_flg8jbNmoRg/RtmvTJmuVXI/AAAAAAAAAAY/s3O8WX0599U/s1600-h/travoltagirl.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/_flg8jbNmoRg/RtmvTJmuVXI/AAAAAAAAAAY/s3O8WX0599U/s320/travoltagirl.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5105304396131882354" /&gt;&lt;/a&gt;&lt;br/&gt;&lt;strong&gt;Hairspray&lt;/strong&gt; (2007)&lt;br/&gt;Country: United States&lt;br/&gt;Director: Adam Shankman&lt;br/&gt;&lt;br/&gt;&lt;div align="left"&gt;A stylish, colorful, and soundy production. Unfortunately, it takes itself too seriously, nevertheless it's got enough energy and the accurate music to make it a descent film. No doubt, it was a big step and a huge surprise from Director Adam Shankman, yes, the director of The Pacifier. Nikki Flonsky is a revelation, but I hope her over-the-top charms don't continue to follow her acting career. John Travolta, I found myself questioning if casting him casting him was a joke, but I gotta say it was a descent performance. The screenplay is very unconcistant, as well as the art direction, I didn't get the feeling we were transported into the 1960s. Hairspray sparkles too much, just as Dreamgirls did last year, none of these two musicals have the heart or entertainment qualities of the best musical of the decade so far, Chicago. This is the kind of film the entertainment show bizz drools for, I wouldn't be surprise if this ends up geting some oscar nominations in the techs, and probably a golden globe nom for Best Picture Comedy/Musical.&lt;br/&gt;&lt;/div&gt;&lt;br/&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3591104341069206117-1734547069168438287?l=daysofcinema.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://daysofcinema.blogspot.com/feeds/1734547069168438287/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3591104341069206117&amp;postID=1734547069168438287' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/1734547069168438287'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3591104341069206117/posts/default/1734547069168438287'/><link rel='alternate' type='text/html' href='http://daysofcinema.blogspot.com/2007/09/hairspray.html' title='Hairspray (60)'/><author><name>Santiago Ulloa</name><uri>http://www.blogger.com/profile/04150491226122019923</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/_flg8jbNmoRg/SW-ewnHiUFI/AAAAAAAAAFA/bBXNRsArEqk/S220/chango.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_flg8jbNmoRg/RtmvTJmuVXI/AAAAAAAAAAY/s3O8WX0599U/s72-c/travoltagirl.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
